NY Times journalist suggests media concern for Russian invasion of Ukraine demonstrates racial 'biases'
'1619 Project' creator urges reporters covering Ukraine to 'really look internally'
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New York Times journalist Nikole Hannah-Jones offered a surprising take Sunday on the ongoing Russian invasion of Ukraine and its media coverage.
The 1619 Project author commented on a local writer’s description of "incidents of insidious racism" in the media, claiming that concern is only for "Europeans with blond hair and blue eyes."
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Hannah-Jones agreed with the writer on the "racialized" analysis.
"Every journalist covering Ukraine should really, really look internally. This is why I say we should stop pretending we have objectivity and in instead acknowledge our biases so that we can report against them. Many of us see the racialized analysis and language," Hannah-Jones tweeted.
She also added that the "admissions of shock" for Ukraine suggest a racial bias due to a lack of attention for nonwhite nations.
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"And honestly, these admissions of shock that this is happening in a European country are ahistorical and also serve to justify the lack of sympathy for other invasions, other occupations and other refugee crisis [sic] involving peoples not considered white," Hannah-Jones added.
When a Twitter user criticized her take as well as its timing, she responded, "That’s absolutely ridiculous. Journalists shouldn’t focus on improving their coverage in real time?"
She followed up with an additional tweet that it was "a geopolitical fiction to separate [Europe] from Asia" so that an invasion can be "a dog whistle to tell us we should care because they are like us."
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Still, she insisted, "To be clear: We should care about Ukraine. But not because it is European, or the people appear white, or they are ‘civilized’ and not ‘impoverished.’ All people deserve to be free and to be welcomed when their countries are at war."
Hannah-Jones has frequently made controversial claims on her Twitter account, sometimes deleting them later. Her 1619 Project was also heavily criticized as a distorted and inaccurate depiction of history despite earning Hannah-Jones a Pulitzer Prize for her work.
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